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SUBSCRIPTION SEASON
September 16 - October 11, 2026
Book, music, & lyrics by Irene Sankoff and David Hein | Directed by James Vásquez | Co-Produced with Indiana Repertory Theatre
An uplifting musical about open doors and open hearts.
On September 11, 2001, 38 planes were diverted to Gander Airport after U.S. airspace was indefinitely closed, stranding 7,000 international travelers in Newfoundland and immediately doubling the population of a tiny, isolated island town. The townspeople quickly respond with heroic hospitality, inviting the beleaguered travelers into their bars, their homes, and their hearts. Set to rousing, rowdy, and rough-hewn folk songs, Come From Away is the Tony Award-winning true story of human decency, a triumphant and inspiring tribute to an unforgettable moment in history, and a one-of-a-kind musical that proves “no man is an island, but an island makes a man.”
“Try, if you must, to resist the gale of good will that blows out of [this] big bearhug of a musical.”
– The New York Times
November 27, 2026 - January 3, 2027
Music by Claude-Michel Schönberg | Lyrics by Herbert Kretzmer | Original French text by Alain Boublil and Jean-Marc Natel | Additional Material by James Fenton | Orchestrations by Stephen Metcalfe, Christopher Jahnke, and Stephen Brooker | Original Orchestrations by John Cameron | Based on the novel by Victor Hugo | Directed by Robert Hupp | Presented by arrangement with Music Theatre International and Cameron Mackintosh LTD | Co-produced with the Syracuse University Department of Drama
The legendary hit musical like you've never seen it.
This production of Victor Hugo’s sweeping tale of romance, rebellion, and redemption will bring you closer to the agony, the ecstasy, and the action than ever before. Experience the operatic heights of this grand, Tony Award-winning musical adaptation from Claude-Michel Schönberg and Alain Boublil as Jean Valjean, a former convict, is relentlessly pursued by Javert, an unforgiving police officer, while he struggles to lead an honorable life and care for the orphan Cosette amidst the growing revolution of 19th century France. Featuring scores of classic and beloved songs, including “I Dreamed a Dream,” “Master of the House,” “Bring Him Home,” “Empty Chairs at Empty Tables,” and “One Day More.”
“Magnificent. Towering passion and operatic intensity… it whumps you in the solar plexus.”
– TimeOut London
January 27 - February 14, 2027
By Karen Zacarías
Directed by Rebecca Martínez
A comedy about books and the people who love them.
For Ana Smith, Book Club is the one place she can truly be herself: Confident, organized, intellectual, and most importantly, in charge. She especially loves leading the stimulating conversations with her husband Rob, their best friends Will and Jen, and her protégé Lily, as they devour classics like The Age of Innocence and Moby Dick. But when Ana agrees to allow a famous director to record their meetings for a documentary film, the safe space of Book Club is shattered, while an opinionated newcomer threatens to alter the group dynamic for good. Karen Zacarías’ delightful comedy celebrates the simple joy of reading—from Wuthering Heights to Twilight, and everything in between.
“Authentically amusing… a comedy of modern literary manners.”
– The Washington Post
March 3 – 21, 2027
CENTRAL NEW YORK PREMIERE
By Kimberly Belflower | Directed by Melissa Crespo | Co-produced with the Syracuse University Department of Drama
A wickedly funny coming of age story.
“Witch hunt.” That’s the phrase being thrown around by the students in Mr. Carter’s AP lit class, and they’re not just talking about the famous play he’s forcing them to read. Headstrong and fed-up, the teens in this rural Georgia town begin questioning the narratives they’ve been instructed to believe, turning the classroom into their own cultural crucible in this fiery new dramedy.
Syracuse Stage invites audiences to experience the hype in a brand-new production of this “new cult classic” after celebrated and sold-out runs on Broadway and in the UK.
“Spellbinding. Urgent. This is the perfect play for our moment.”
– Variety
April 7 - 25, 2027
WORLD PREMIERE
By Kyle Bass | Directed by Gilbert McCauley
A love letter to Syracuse from the writer of Possessing Harriet.
1954. Syracuse, New York. A 24-second clock is ticking—and basketball will never be the same. As the scrappy Syracuse Nationals race toward a championship, the team's two Black players—a trailblazing veteran and a rookie with everything to prove—fight for far more than victory. On the hardwood and behind the scenes, they navigate race, loyalty, ambition, and the price of changing the game.
Inspired by the true story of “The Nats” and their historic championship season, Syracuse Stage Resident Playwright Kyle Bass’ The Black Nationals is an inventive, funny, hard-charging drama about the athletes who helped reshape basketball—and the Central New York history they made at the dawn of the Civil Rights Movement.
“Bass’ plays tell the stories of real-life African-Americans set against the backdrop of some of our most turbulent times.”
– Utica Observer-Dispatch
Apr. 30 - May 8, 2027
By Annie Lareau
Directed by Makaela Milburn
A Pan Am 103 story
On December 21, 1988, Pan Am Flight 103 exploded over Lockerbie, Scotland, killing all 259 passengers — among them, 35 of Annie Lareau’s classmates and close friends from Syracuse University. She was supposed to be on that flight. She wasn’t.
Fresh from a celebrated run at the Edinburgh Fringe Festival — named one of the Top 10 shows by The London Telegraph — actor and playwright Lareau returns to the US with her hit show Fuselage, joined by actors Brenda Joyner and Peter Dylan O’Connor.
Fuselage is not part of subscription packages.
Discounted single tickets available for subscribers.
June 2 - 20, 2027
WORLD PREMIERE MUSICAL
Music by Jonathan Reid Gealt | Lyrics by Dustin Sullivan | Book by Kasey Marino | Based on the Sherlock Holmes Pastiche novel by Lyndsay Faye | Co-Directed by Madsie Flynn and Melissa Crespo | Produced in association with Amanda Dubois Productions and HudsonMann
A new edge-of-your-seat musical thriller.
Based on the harrowing novel by Lyndsay Faye, this new musical thriller pits literature’s most famous detective against history’s most notorious madman. London, 1888: The serial killer known as Jack the Ripper stalks the women of Whitechapel and leaves Scotland Yard chasing their tails. At 221B Baker Street, Doctor John Watson anxiously watches on while a dejected Sherlock Holmes, without mysteries to stimulate his uneasy mind, fends off boredom with his “seven percent solution.” When the pair is pulled onto the Whitechapel case to investigate a promising lead, Holmes is reinvigorated, but discovering the truth of the Ripper will lead him down alleys darker and more sinister than anything he has previously encountered.
“Thrilling entertainment. Quite simply, a must for Holmes fans and Ripperologists alike.”
– Caleb Carr, author of ‘The Alienist’