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SUBSCRIPTION SEASON
September 16 - October 11, 2026
Book, music, & lyrics by Irene Sankoff and David Hein | Directed by James Vásquez | Co-Produced with Indiana Repertory Theatre
An uplifting musical about open doors and open hearts.
On September 11, 2001, 38 planes were diverted to Gander Airport after U.S. airspace was indefinitely closed, stranding 7,000 international travelers in Newfoundland and immediately doubling the population of a tiny, isolated island town. The townspeople quickly respond with heroic hospitality, inviting the beleaguered travelers into their bars, their homes, and their hearts. Set to rousing, rowdy, and rough-hewn folk songs, Come From Away is the Tony Award-winning true story of human decency, a triumphant and inspiring tribute to an unforgettable moment in history, and a one-of-a-kind musical that proves “no man is an island, but an island makes a man.”
“Try, if you must, to resist the gale of good will that blows out of [this] big bearhug of a musical.”
– The New York Times
November 27, 2026 - January 3, 2027
Music by Claude-Michel Schönberg | Lyrics by Herbert Kretzmer | Original French text by Alain Boublil and Jean-Marc Natel | Additional Material by James Fenton | Orchestrations by Stephen Metcalfe, Christopher Jahnke, and Stephen Brooker | Original Orchestrations by John Cameron | Based on the novel by Victor Hugo | Directed by Robert Hupp | Presented by arrangement with Music Theatre International and Cameron Mackintosh LTD | Co-produced with the Syracuse University Department of Drama
The legendary hit musical like you've never seen it.
This new production of Victor Hugo’s sweeping tale of romance, rebellion, and redemption will bring you closer to the agony, the ecstasy, and the action than ever before. Experience the operatic heights of this grand, Tony Award-winning musical adaptation from Claude-Michel Schönberg and Alain Boublil as Jean Valjean, a former convict, is relentlessly pursued by Javert, an unforgiving police officer, while he struggles to lead an honorable life and care for the orphan Cosette amidst the growing revolution of 19th century France. Featuring scores of classic and beloved songs, including “I Dreamed a Dream,” “Master of the House,” “Bring Him Home,” “Empty Chairs at Empty Tables,” and “One Day More.”
“Magnificent. Towering passion and operatic intensity… it whumps you in the solar plexus.”
– TimeOut London
January 27 - February 14, 2027
By Karen Zacarías
Directed by Rebecca Martínez
A comedy about books and the people who love them.
For Ana Smith, Book Club is the one place she can truly be herself: Confident, organized, intellectual, and most importantly, in charge. She especially loves leading the stimulating conversations with her husband Rob, their best friends Will and Jen, and her protégé Lily, as they devour classics like The Age of Innocence and Moby Dick. But when Ana agrees to allow a famous director to record their meetings for a documentary film, the safe space of Book Club is shattered, while an opinionated newcomer threatens to alter the group dynamic for good. Karen Zacarías’ delightful comedy celebrates the simple joy of reading—from Wuthering Heights to Twilight, and everything in between.
“Authentically amusing… a comedy of modern literary manners.”
– The Washington Post
March 3 – 21, 2027
CENTRAL NEW YORK PREMIERE
By Kimberly Belflower | Directed by Melissa Crespo | Co-produced with the Syracuse University Department of Drama
A wickedly funny coming of age story.
A one-stoplight town in rural Georgia is the backdrop for the literary and emotional awakenings of a group of high school girls in Kimberly Belflower’s wickedly funny and uncompromising theatrical rebuttal. It’s 2018, and Mr. Carter leads his honors lit class in examining a classic American drama, with lessons sandwiched between state mandated sex-ed lectures and passionate discussions on the merits of pop music. But when the students start to question what they see as a problematic play, shocking revelations begin to surface that will have consequences far beyond the classroom. A twisty, modern revision of a canonical text, John Proctor is the Villain dares us to toss off our collective notion of “hero”... and let it burn.
“Spellbinding. Urgent. This is the perfect play for our moment.”
– Variety
April 7 - 25, 2027
WORLD PREMIERE
By Kyle Bass | Directed by Gilbert McCauley
A love letter to Syracuse from the writer of Possessing Harriet.
1950s Syracuse: The Nationals represent the city in the fledgling NBA while the team’s two African American players, among the first Black athletes to play professionally, navigate the sport’s color barrier and new rules as they fight to leave their mark on the court and on the history of the game. Inspired by the true story of “The Nats” and their championship season, Kyle Bass’ The Black Nationals is a fast-paced, imaginative new play that celebrates a defining moment of Central New York history at the dawn of the Civil Rights Movement and invites us to consider a world where, in the game of life, everyone has a fair shot.
“Bass’ plays tell the stories of real-life African-Americans set against the backdrop of some of our most turbulent times.”
– Utica Observer-Dispatch
June 2 - 20, 2027
WORLD PREMIERE MUSICAL
Music by Jonathan Reid Gealt | Lyrics by Dustin Sullivan | Book by Kasey Marino | Based on the Sherlock Holmes Pastiche novel by Lyndsay Faye | Co-Directed by Madsie Flynn and Melissa Crespo | Produced in association with Amanda Dubois Productions and HudsonMann
A new edge-of-your-seat musical thriller.
Based on the harrowing novel by Lyndsay Faye, this new musical thriller pits literature’s most famous detective against history’s most notorious madman. London, 1888: The serial killer known as Jack the Ripper stalks the women of Whitechapel and leaves Scotland Yard chasing their tails. At 221B Baker Street, Doctor John Watson anxiously watches on while a dejected Sherlock Holmes, without mysteries to stimulate his uneasy mind, fends off boredom with his “seven percent solution.” When the pair is pulled onto the Whitechapel case to investigate a promising lead, Holmes is reinvigorated, but discovering the truth of the Ripper will lead him down alleys darker and more sinister than anything he has previously encountered.
“Thrilling entertainment. Quite simply, a must for Holmes fans and Ripperologists alike.”
– Caleb Carr, author of ‘The Alienist’
ADDITIONAL PROGRAMMING
The Julie Lutz New Play Festival
Children’s Tour
This Girl Laughs, This Girl Cries,
This Girl Does Nothing
For Grades 3-6
Touring September - December 2026
Theatre for the Very Young
Click, Clack, Create
For Ages 18 Months - 5 Years
Touring January - June 2027